Since the full monty can place higher demands on system resources, SD3 comes with separate installers for the room mics, basic surround mics, and height surround mics. Moreover, Massenburg recorded all this using a formidable array of world-class mics for true audio nerd mixing flexibility all the way up to 11.1. There are even alts for sticks including brushes, rods, and mallets, offering a treasure chest of percussive options. A randomization engine helps add organic nuance to things like serial snare hits. There are numerous velocity layers for each instrument (up to 25 in some cases!), often along with articulations for different areas of the drumheads or cymbals. SD3 is notable for its detail, as well as depth and breadth of sonic options. You can swap out pieces of kit, tune them, stack them for more complex sounds, and also import your own samples. It features seven kits, 25 snares, 16 kicks, 350 drum machine sounds, and more, all recorded in Belgium’s revered Galaxy Studios by all-star engineer George Massenburg. The SD3 core system is required for any of the SDX expansions. In fact, this collection is so different from its siblings that Toontrack offers the Super Drummer 3 Orchestral Edition as a bundle. The most uncommon of these is the Orchestral SDX, which incorporates an exhaustive range of orchestral percussion. There are now numerous signature SDX expansion packs extending the core library with a range of kits, studios, styles and engineers. Toontrack’s Super Drummer 3 has evolved over the years into a complete percussion ecosystem. Can one percussion instrument handle both drum set and orchestral percussion well?
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